everything is better with dinosaurs

i was paging through a vintage knitting magazine the other night ... this was from a collection inspired by the new york state fair!

happenings

i spent a nice afternoon cuddling the kitty and devouring india's new book (long awaited and even better than imagined... i'll probably be obsessively huddled with it for a few days). and in other news..

one of the feathers from my flock floated off to jude today...


it seems our last show at the Hadley made the Greensboro paper!


dear miss hadley is showing off her lovely figure..


and here's a block i stitched for the elder cloth with the paperless piecing method..

i have a general design plan now using the old quilt as a center, and i was planning to use this fabric from a thrifted dress for part of it. i like the pattern in this fabric, but now after stitching it, i'm not sure how it'll work with the other fabrics. i thought it was all linen but there's some rayon lurking in there skewing things. it's just so bendy. anyone have thoughts on rayon??

and i am actually, finally working on my proposal for school with an actual plan. and yes, it involves cloth making. it's gobbledygook right now but it is coming along, which is a relief. hope with me that i can persuade them!

bubble bubble

so much is percolating these days..



the elderberry leaves are bundled tightly inside the muslin... but now that i've added yarn, do i need more leaves floating?

the dye garden is flourishing.


and back indoors.

meeting the elders

my good friend laura told me via facebook that there had been an elderberry sighting in the area. she said her friend said to turn down toward the old place from the highway and there would be elderberry in a ditch on the right. it took me a bit to decipher the directions, not being familiar at first with the "old place" (it reminded me of an old southern expression about pig paths, but apparently i can't remember that either), but it turned out to be a landmark country buffet and less than a mile from my house!

so yesterday we went to find her... and there she was...

she and others, at least three huge bushes! also, we had a delicious meal at the old place... candied yams, turnip greens, blackberry cobbler and other faves. i always love places where we are the youngest folks there. and how silly that it took facebook to connect us with our own neighborhood... (we really are hermits!)

i asked mother elder's permission and she seemed okay with being part of my cloth. i was careful not to take too much. she had a few berries but most of them had been eaten. and now my muslin elderbundles are stewing in the sun in copper, iron and enamel pots (i couldn't find an aluminum). and today i will toss some yarn in there too. it will be hard to wait a whole week, but magic takes time.

who needs low-lights in their hair when feathers abound? you knew i would follow this trend.

tea and bleach

trying some solar dyeing with natural dyes from blue castle fiber arts. i've never tried the powdered stuff, and it even comes with an herbal mordant! so i'm enjoying the experimenting... and putting this blazing sun to some good use..


feathers gathered just from this afternoon.. the birds are moulting. lots of tail feathers this time of year too, on the ground, not on the birds. i wonder if they know about jude's magic feather project.. i think they might send her some real feathers along with the stitched ones.


a little experiment with bleach and tea, tea and bleach. staining and removing stain, like remembering and forgetting, over and over. the splotchiness of this block may be overdone 80s, but it does remind me of elderberry's colours. her horse mom was an appaloosa. i was thinking a lot about elderberry being sterile and how i think that's part of what makes me want to honor her. i worry about mules, maiden aunties, spinsters, and crones without offspring... who will remember us? i am working on expanding my outworn ideas of family and fertility.

the heat has inhibited exploring and gathering, but i still need to look for an elderberry bush nearby. there was a lovely mother elder at our old house, sprung right at the site of the blanched, fallen oak, but i never dyed with her. i'm so grateful to have found some elderberry partners.

well, crap. or, possibly a plan.

alrighty, so. i think many of you know i've been struggling with grad school for ages. i imagine that some friends are really so, so tired of me talking about it, talking about quitting, talking about topics, blah blah. i finished everything except my dissertation, so i've been ABD since 2008. then i went on a leave of absence, but came back and have had a series of false starts. the program is interdisciplinary but something like cultural studies. my advisor is a visual anthropologist.. she makes ethnographic films. my interests have centered on folklife, usually in the u.s. south, and usually related to rural skills, and especially animal husbandry and related practices. at one time, i wanted to be a professor, but i'm an artist at heart, or at least a wannabe. so that's one reason i haven't been motivated to finish - because i don't think a ph.d will help me be an artist. but i haven't been able to quit, either.

but so recently i've learned that my school will accept a dissertation that consists at least partly of an art work. it's not an MFA program, but since it is interdisciplinary, they have been talking about nontraditional dissertation forms for ages, and apparently they are now starting to accept them. so i'm told that i could do an art work and then write about it. presumably the art would fulfill a chapter, and then there would be a chapter contextualizing it, and maybe a chapter analyzing it... or something. did i already tell you all this? i feel like i have.

so what about having this elder cloth be part of my dissertation? the subject of it, i mean. i have a glimmer of how this could work. everything from the materials to the process to the story. and situated ... somewhere. historically, and within stitching (and perhaps spinning, weaving or farming) communities and now online art communities. within the slow cloth movement. among women who are also making.

there are some parameters. it has to fit within my previous areas of study. otherwise i will have to re-do my comprehensive exams. then it has to fit within my advisors' areas of expertise. and then it has to fit with what the graduate committee has already approved for me. it's possible to change or shift some of these, but not ideal. i think all this means that i need to conversate with academic work in visual anthropology, memory studies and animal studies. so that it's consistent with what i've done before, it's important that it be related to animals, not just that the cloth is 'for' elderberry, but probably that some of the materials derive from animals. i *think* it could fit... but maybe not, i'm still reaching.

if i could do this in the context of my current program, i think it would be great. i'd be motivated to work on it, because it's work i want to be doing anyway. i'm inspired, of course, by jude. not that i should try to do what she does, i couldn't possibly, but i can imagine some sort of a slow cloth journey being documented and all of that forming the basis of a dissertation. why not?

so now i need to brainstorm, refine, and convince.

i've been tasked to map out my plan by August 31 and so i am overdue on the getting-with-it. here are the questions i need to answer:

Describe your research question/hypothesis or research objective? What will the focus of your investigation be?

How does your research build on your existing dissertation research and what fields/disciplines will it draw upon?

What evidence/materials do you need to collect to answer your research question and how will you go about collecting it?

What skills and training are required for this work and what has prepared you to do this research?

What is the significance of your project? What fields/disciplines will it contribute to and how?

so i'm going to take some time and think on these questions and brainstorm. this is all very early, draft-y and provisional. i don't want to self-edit too much here or be embarrassed for trying. i don't feel like i can do this alone.

FO! estonian lace

i brought the almost-finished estonian lace shawl to mum's with me, and finished blocking and weaving in the ends here. it looks nice over her black. i told pop that now he must take her to the opera, but the symphony would be good too.



i'm so glad to see it finished and hugging her, for when i am not here to.

looking some more

and imagining ways to extend and embellish..

the other night, drinking wine and listening to amy winehouse. already such a great memory.

not stitching, but looking and thinking

this yard sale pincushion is as heavy as a brick, and a bit larger than one. such pretty, spidery old stitches.


every time i go yard saling with mum, i end up with such treasures.


i'm stuck on my elder cloth for now. no progress really. it's my fear of starting, and cutting. this has to do i think with inertia, or a fear of change. strange because i crave change in terms of traveling and moving (jobs, ha!) and other activities. but with objects and places, beautiful ones, i want them to remain the same, even if they could be 'improved.' jude has so much wisdom on starting and continuing.


i really try not to buy so many vintage linens any more. but some of them are too beautiful and at 25 cents, a compulsion. sometimes i think i could use them in a larger cloth, but i haven't figured that out yet. i was thinking of going in more of a boro direction for a bit, and to me, they don't fit with that. i could just play with them, but i still feel like they are too precious, even though (or especially because) they are already stained, ripped, mended.


so i guess the big issue i'm having with my cloth is my fabric stash. i'm not really prepared for this project. i need loosely woven, plain cloth, but so much of my stash is thick and fancy fabrics i've collected for crazy quilts (i love crazy quilts absolutely, but i don't want to work in that style for this project). i also want soft, natural colours to complement the cloth i'm starting with. i don't really have any though, and i don't want to buy. i've found some cotton and linen shirts while thrifting, but i can't seem to make myself cut up a perfectly good shirt. i have some muslin, but i need to dye it.

so i'm on the very slow, slow cloth plan. starting with muslin and bundling and natural dyes. elderberry dye, and dye in the colours of elderberry. i might even try to weave some of these blocks not just with fabric, but with yarn too. yarn i spin and dye from wool or cotton that i process myself. this may be so ambitious that i get overwhelmed or never finish, but right now it sounds like just the thing. and i will savor every little step. it's just gonna take a while.

it's always a bit spooky staying up late alone at mum's. the house is so quiet but there are many sets of eyes.

i haven't been spinning every day of the tour, but still pedaling along..








i'm finishing up the last leg of the tour here at mum's.

another beginning

i'm starting my elder cloth with another cloth...









this is the vintage lap quilt that i was thinking about. i'm glad that now that i've unearthed it, i love it as much as i thought i would for this project. it reminds me of elderberry's colours, and those two white patches are the light in her eyes. and then it's a bit like the blankie i was knitting for her, and reminds me of a saddle blanket, except that the blocks are irregular. there isn't a lot of quilting but there are little holes and tears and staining.

i'm not sure yet if i want to take it apart and make it larger, or just mainly mend and embellish it in its current size. the size is really nice, and not too cumbersome. i guess i will need to take it apart in any event, and decide whether to keep the batting or not, although i'll hate to remove those hand stitches.

*thanks deanna7trees for the tips on needlefelting!

here's the blanket pattern that i started knitting for ms. elderberry. it's from a cute book called Pet Projects.



it looks like i had finished four blocks and almost a fifth. i love the ideas posted in the comments about felting part of what i had knitted, but i don't think it's possible because the yarn is (horrors!) acrylic. still, i like the bucking bronco block, and some of the others, so i want to figure out a way to incorporate it if possible. i've never noticed knitting stitched directly on top of fabric, can it look good?

i've also been thinking about this one old quilt that i have tucked away. something about it keeps popping in my head for this project... it's lovely as old quilts are, but it's not really *special* and it needs some repairs. plus, it's not that big, maybe four feet by six or something like that. i wonder about using this as a base for my magic elder cloth. perhaps even take it apart or extend it.

one reason that i haven't done more in the way of learning to quilt is that i have a nice collection going of old beauties, and mum is always finding a tattered lovely at an estate sale for an irresistible bargain (she is magic that way). but the idea of taking one that needs help and and transforming it into something very personal and meaningful is appealing.. but i have to look and think on it... i am usually so loathe to cut into something i already love. off to scour the armoire and other stashes...